That's how unmemorable this song is. Catchy as hell, upbeat, fun to listen to, and vocals that actually make the song better for legitamate reasons. And really, it's not that it does anything wrong, but it doesn't really do anything RIGHT either. Today, we’re all about crissspy tofu, veggies, and a heavenly peanut satay sauce—what’s not to love? It's not the catchiest piece, but the main melody definitely sticks with you. And really, this track just flows well. I'm not particularly fond of it, but it's interesting to listen to. Overall, just an incredibly likable song that prides itself on its flow, which is something that a good deal of these songs can't do. It's not like Hope-level or anything, but it's still a very fun song that does what it needs to do, and while it might overstay its welcome a tad, it's fully welcome to do so because there isn't a sense of redundancy or excess about it. Haze Still a very listenable track though, and one that deserves more discussion. It feels like a lot of the Ep 5 tracks are kinda formed from this one, but this one has some kind of charm to it. WorldEndDominator Is it little kids talking? I really can't hear a difference between this and the omake version of it aside from the 20 extra seconds at the beginning. At any rate, this is like Mortal Stampede in terms of style, but that's where the similarities end really. It's a short piece, too, and the melody is good enough to totally carry the song through here, which is good because the song lacks any sort of drums or rhythm, which kinda makes me sad, but eh a piece like this doesn't really need them anyways. It's also totally inferior because this instrument does NOT suit the song at all. The percussion/bass parts really make this song, and without them, it would just get lost in the lower part of the upper tiers of music. Of the songs I lump with Sukashiyuri, this is probably the best one. Scar Sound is a very Percussion-heavy track. The Dark and Crazed Requiem of Purgatory (8.5), 44. 7 Weights Some of you might remember that I pushed /really/ hard for it to get into the Umineko Music Contest. Ange Ushiromiya(右代宮 縁寿,Ushiromiya Enje), also known by the names ANGE(エンジ) and ANGE-Beatrice(エンジェ・ベアトリーチェ,Enje Beatorīche), is the daughter of Rudolf Ushiromiya and Kyrie Ushiromiya, and the younger sister of Battler Ushiromiya. I like this song a good deal. Dance of the Moon Rabbits Aww yeah BoanW. Unlike the aforementioned piece of ****, this song is not, in fact, painful to listen to. Not many of them are awesome, but they're all for the most part decent and catchy. It's worth listening to, and great as background music, but really it's nothing worth writing home about at all. I don't really like this song much, if at all. When she checked the cousins' room earlier, it had been completely empty., Tsubasa is ****ing awesome. I mean, this isn't really THAT great of a song as it is, that aside, but good god it is an absolute thing of beauty. HOWEVER, it's a well-made collection of noise that has the added bonus of being creepy as **** in the VN. ResurrectedReplayer Man this song has such a cool intro melody. This song is pretty unique IMO. ), Suspicion Here's another one of those jazzy high-energy songs in the same vein as Monochrome Clock, but I don't like it as much. Well, it's not Rose tier at least for long and boring, because the melody is nice to listen to for a little while at least, but the main question I have is "why is this song 8 minutes long?" Of course, it's still not really notable or anything, and I can't honestly rate it highly. Tsubasa (Wings) System0 starts out with two sentences spoken in perfectly understandable English, which is a rarity for Japanese music (And I think it's the only English words in Umineko music), which is notable, but the rest of the song is just great. This is a pretty decent song, at least. It doesn't really feel as long or as boring as Love Examination does though. It sets a mood well, but doesn't really do anything else. I don't like it as much as the standard Far, mostly because the extra non-piano parts really benefitted, I think. Anyways, this is some kind of cool remix of the original Tsubasa, and it doesn't disappoint in the slightest. The bass parts are great too, which is something that actually isn't really present/noticable in the original. This is pretty much At Death's Door with a few of the bells changed around <_<. Hm. Well as far as heavy bass-intensive electronic pieces go. Voiceless In spite of that, it IS still the Organ Short, and is still a good melody, Mystic Forest The First and the Last This track is "alright" I guess. So remember my Organ Short #600 Million in C Minor writeup where I said there was one song that stuck with me more than that? This song combines literally the worst vocals I've ever heard with the most grating high-pitched organ I've ever heard and goes on like that for MORE THAN FIVE MINUTES. Geeze what a nice bass part this song has. It's a weird track, too. Dir It's a pretty good song for what it is, but I feel like it could get away with being half to 3/4 the length and still do just fine. Luckily for it, I like the vocals, and find them very entrancing to listen to, which means that the song keeps my attention. I'd also like to give special mention to the drums, because while they're mostly unchanged, they, alongside the bass, stand out more due to the change in style, and they are still just as awesome as they were the first time I heard 'em. Wingless Seems like most Ep 5 songs fall in that for me. There's just not much substance to this one, I feel, beyond it's "alright" melody. Bring The Fate But as far as that goes, this one just absolutely takes the cake. chanting that accompanies it. Unfortunately, being as long as it is, it starts to drag., This is another one of those somewhat-happy piano pieces that sound like they're meant to be inferior Hope Knockoffs that don't really sound like Hope <_< Oh well. It's an absolutely brilliant progression that takes a good melody and makes it GREAT. So there really isn't anything to say that I didn't say about Toybox. While it succeeds at that, and is a decent song, I just really don't feel like it's well-written as a result. Angel Mort is a restaurant in Okinomiya owned by Yoshirō, a Sonozaki family member. Anyways, the reason this one really sticks out to me is because of its bass part that plays during what I guess is the chorus of the piece. But the melody itself is good too. This is another one of those 99% percussion tracks. Ranking: 3/10. Pathway It feels like it tries to jump from climax to climax without falling down and building back up a lot of the time, and when it DOES start to rebuild I feel like the melody is borderline bad <_<. Namely a drum and a bit of some other percussion (Xylophone?) I've really always thought of this one as Dread of the Grave lite., Hey it's the organ short again. Am I the only one there? Man I love this song., Mehhhh. This track is like... Hope, Ride On, and Sakutarou's Adventure all mashed together in a mediocre way. He and his family live in a largehouse, dubbed the "Maebara Mansion" by many of the villagers, built on property bought from the Sonozaki family. Umineko's first episode has been completely translated. It's definitely more mood/background music, but it's hauntingly strange to the point of "Did something happen and I missed it?" Man, Sys0 AND Dead Angle this set? It's not really top-tier or anything, but it's a good, solid piece of music that I enjoy. Absolutely amazing track that is basically everything that makes Dread of the Grave so perfect and distilled into pure awesome and given a more noticable bass part. However, in the third season's Watadamashi-hen, Sonozaki Mion actually pretends to be her. Great track overall, though not quite worthy of the highest tiers of praise. Moonlit Night And I do enjoy this piece quite a bit. Pretty good song, either way. I can't really bring myself to like this track. Now we're at a lower-energy, slower organ piece. Once it does wake up though, it busts out what's easily the best melody in the episode and really plays it well. Sure it can be argued otherwise, but I think part of this song's charm is its variance in spite of its basic foundings in Goldenslaugheter. As a result, many of his friends believe that they must be quite rich; however, their house was only built lar… All of the servers are young women who must wear rather revealing uniforms. This song is a nice package of stuff. Psy-Chorus Well I did say 'most'., Well actually we get one more of the quieter, lower-energy tracks before we really move into the interesting/high-energy endgame stuff. Sukashiyuri is the very first song to play in the VN, and continues throughout the entire prologue with Kinzo/Genji/Nanjo. And while this is a nice melody it's got here, I simply can't enjoy it past the first couple minutes. Forget what I said about HANE. This might be my favorite song in the set. I don't really like this song much. It's one of those tracks that just gets me going every time I hear it. Spiral is a slow piece with an emphasis on the piano and the lady singing in the background., Ageha's decent, I guess. While a different. He rated Umineko songs in GAME ORDER instead of actually doing a typical ranking from worst song to best song. It doesn't really stand out in any way compared to, say, Final Answer, Resurrectedreplayer, Discolor, or even Patchwork Chimera. To. In pretty much every way imaginable, this song is the prelude to Hope, and pulls off the mix of the Hope melody (You know the one) and the background ominous-ness pretty well, and its first use (Which might be its only use? This is the first truely Vocal-driven track that I've heard, isn't it? The melody here is absolutly phenomonal, and the track is pretty much exactly the perfect length for what it is. It's solid, builds up well, and carries on well, but I just don't really LIKE it. It's pretty good, but the vocals do absolutely nothing for me here. Such a great melody. The melody here keeps the bass from carrying the song because it is, for the most part, excellent as well., You know, I really like Fortitude. What a ridiculously upbeat track. I feel like this track is kinda... Overbearing, really, with the way that it forces itself on you and uses its forceful melody, but that's not entirely bad. More Fear Promise This is the first of several songs that I kinda lump together that get a ton of playtime early on in episodes (Especially Ep 1), and not much other than that. It's basically everything a song should be, but it also manages to be totally mediocre and unnotable at the same time. It's not the most upbeat piece there is, but who needs that when you're beautiful enough to bring tears to a man's eyes, Goddess-Gardena This song starts out with some ominous chanting, then goes into an ominous melody and really just works from there. YES." And it's really just one of those tracks that doesn't resonate well with me. White Cocoon of Dreams-Ricordando_il_passato- I'll … There's multiple theories on who the culprit is but no way to say for sure until more episodes come out. I don't even find the melody that interesting, either, but repition aside, I don't have anything BAD to say about it, either. Pretty middle of the road track overall, though, because while it can be pretty annoying at points, and the main melody isn't THAT great, it does have some pretty cool parts to it. Gunshot -> The first few notes of this and then what happens after what more do you want. The Great Detective Knows Now we have another pretty damn good piece. Dread of the Grave -More Fear- My only real problem with it is that it's too laid-back, and it suffers a bit as a result. Just boring ignoring that. Love Examination This is a much more upbeat track, and though it's not really notable among the more well-known/better-liked tracks, it's a nice little piece hidden away in the "boring" part of Ep 1. Parallel This is pretty much the same as A Single Moment conecptually, and in practice it's not really that different but the melody is different. Through three seasons of the anime, none have received names, though When They Cry Wiki has affectionately nicknamed a recurrent lass "Waitress Glasses-chan." We all know it's great. And bonus points for "**** YEAH BEATRICE!". Thanks for Being Born The bass part is reasonably complex and interesting to listen to, which is a good thing for an otherwise kinda boring song, but since in this song, it's more of a background part, there's only so much it can do. Now to get some questions to get things rolling. Now Far, as opposed to Psy-Chorus, deserves every bit of love it gets. This song takes an interesting melody and just runs with it, occasionally mixing in a really neat drum rhythm. It's not the most memorable, or best track, but Hour of Darkness sticks out for being a great piece of mood music. I mean, it's decent, projects an mysterious mood, and the melody is interesting, but it really just drags on way too long for me to care about it :/, Answer I don’t care if Song A is your favorite of all-time and Song B is from a series you hate - Listen. Both. Towering Cloud in Summer That's wrong!! Not the best song, beyond that. The melody for this one, unlike OnM though, is surprisingly solid and great to listen to. Engage of Marionette Yeah, as I've been saying, this is an absolutely mindblowingly phenomonal piece of music. Notably, this is like the only noteworthy thing SB YUNE has done aside from the Dread of the Grave set. The drums though. On the bright side, it's an interesting and fun beat that is enjoyable to listen to, but well., As far as straight-up interesting goes, this is probably the best song of the set, which really says a lot about it. Either way, great song that's just very fun to listen to. I would also like to point out that good god the drum section here is great. Apprently this is supposed to be some kind of remix of Answer, but who cares it's awesome regardless how you consider it in that regard. And really unlike what I said when I was reviewing Discode, the vocals here really just serve to accentuate how catchy it is. Unfortunately, relative to the rest of ZTS's major works, this one doesn't really stand out as great. The goal was to find which video game song was most loved by the board. Ranking: 6/10. Umineko no Naku Koro ni takes place in the year 1986, during the time frame of October 4 and October 5 on a secluded island named Rokkenjima (六軒島). Happy Maria (Inst) S/he-end The regular Fishy Aroma is great, but this version really cranks it up another notch. Absoluely excellent song. Enjoyable song, Life's End There are a few different melodies going on here that are swapped between with a degree of regularity, but they all have the tense, tight mood in common. An enjoyable track, but still pretty flawed. I really don't have much to say about this one because it's so boring. I don't particularly enjoy this as a piece of free-listening, but this is well-written track that is great for the background. This is another one of those songs that rides its melody way too ha-Ha! Rating: 10/10. It doesn't stand out, and it doesn't do anything for me, but it's one of the more solidly-written tracks in the VN. Very, very well-made, and retains most of the charm of the Organ short while transforming it into something far more melancholy than tense, and definitely not Beatrice. The lower half of the outfit of the The Seven Sisters of Purgatory, characters in Umineko no Naku Koro ni, resembles the lower half of the Angel Mort's waitress uniform. Sukashiyuri pt 2, basically. When I first heard the first two seconds of this song, my reaction was literally "****. Far (Flat) The parts where it's being unique instead of WED 2.0, it's a very interesting and fun to listen to piece. A very memorable and solid piece., This is another one of those tracks I'm iffy on, but I think overall I like Haze. Considering when this one plays, it works well enough I guess. I don't like it, but I can see why people would. Here's a pretty cool song. Emotional tracks in the game for sure. Actually this is kinda remniscent of that one Touhou Track (UN Owen Was Her?) My problem with this song is that while it's got a memorable melody, it's just not really enjoyable. But for your ears. The drums here, while good, are relatively weak compared to the other mainline ZTS songs IMO, but that doesn't make them bad. Nonetheless, Thanks for Being Born is an absolutely amazing track that deserves every bit of praise it gets. Of course, I'd never performed an autopsy before, but she was definitely dead! Toybox Listening to this track is just a ride, really. The first four episodes introduced the central mystery of the identity of the Golden Witch, Beatrice, and the search for the truth of what happened on Rokkenjima. On the other hand though, the entire thing stands out as a piece. I don't like this track as much as I do the original DotG. Maybe there's something in it that I'm missing, but ehhhhh, Monochrome Clock The stretch from 2:25 to 2:35 is particularly painful., This song is pretty much the definition of sad <_< Pretty much everything about it reeks sadness, and it's a pretty sad song. The rest of the song is alright too though. This is a really good piece., Another pretty boring track that's just the same thing over and over for a few minutes with minor variation. Hard. Golden Nocturne The vocals aren't by any means good, but they're at least tolerable, and while aside from them, there's no melody to speak of (Ok there IS one, but it's nothing worth speaking about since the voice overshadows it), this song is basically a cool drum section with hard-to-listen-to vocals. Except it's entirely piano. The piano is top-tier, and both the melody and progression are absolutely excellent. Its shortness can be seen as a point against it, but I feel like it actually serves it really well here in not prolonging it any more than it needs to be. Which I assume means that it serves its purpose really well <_< It's not the most interesting or exciting song in the world, but it gives me the chills for some reason. Man, Sys0 AND Dead Angle this set? Oh man do the vocals ever complete this piece. This is like... Mortal Stampede for cool hipsters (lmao implying they exist) or something. Kiri no Pithos It's a great song, and while the Mortal Stampede similarity is there, I feel like it's also distinct enough to definitely be it's own (And superior) piece. Nameless Song (Ver.2007) The rhythm here. Happy Maria is a song thats defining trait is that it's crazy. Fundamentally, it's more or less the same as Dread of the Grave, but there are two differences that stick out to me aside from the standard remix changes. So this is basically Toybox's melody with a few minor changes. Core's the other track that I see catch a lot of flak for its uses in the anime (IIRC, it replaced Dread of the Grave multiple times! The sheer simplicity of its style, combined with the sheer awesomeness of the melody combines to make a song that is undeniably perfect. Dai is a ****ing god with the piano, and this track and Hope really go above and beyond to prove that. I really feel like the bells and xylophone or whatever don't mesh well, and in spite of the melody being great, this track is really just something of a mess IMO. But when you have one of the BEST MELODIES IN THE FREAKING SOUNDTRACK, you don't really need much more than that to be a good song. The rhythm section leaves a little to be desired, but it is certainly not the focus of the song, and not much is lost. Overall, an alright track though. This has to be the most painful piece of music I've ever heard anywhere. That was all Assassin of Red said, and it perfectly summed up the scene before them. This song is very grounded in its melody and variations of it. It's kinda disappointing to finish out 1-4 on such a low note tbqh. I kinda like this song. Enjoyable song, overall. It doesn't suffer any of the notable problems, really, but then I also really feel like it doesn't have that special element to it that makes a good song great. Lure In pretty much every way possible. Umineko no Naku Koro Ni (OP 1) A listenable track and really not much more, Tsubasa (Ver Hope) Over the Sky He said it was "pretty cool" (It was about the 3:00-3:30 mark), Worldend But yeah, another nice track that's pretty similar to Totem Blume, which isn't really a bad thing either. I also once fell asleep while listening to it but it was about midnight when that happened <.<, Praise It's like everything that's good about the high energy tracks, but just kinda... mellow, y'know? The only thing working against it is that it's kinda short and just fades out when I feel like they could've done more with it., Here's another one that doesn't really go anywhere, but it's at least got the creepy/melancholy factor to it. Like, the composer here (Xaki right?) *****es love Hope, to the point where it won VGMC4. Not by much, though, mostly because it tends to drag as it gets closer to the end. Man, this is one hell of a cool song., This is a cool, if somewhat inferior, Final Answer remix. It's stuck with me since I first heard it in the VN, and for really no apparent reason other than it having a really damn good use. This is the theme song of what actually matters - The meta world (lolno but it still is basically the Meta World theme alongside the Organ Short which is like half the series <_<). Sakura This was a pretty in-and-out track both according to me and Audiosurf. A single shadow crawls along the wall as Malik paces restlessly back and forth down the hallway. 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